The complexities behind every shroud take time to uncover; the time is unprecedented, and the place is unknown, but sooner or later, it becomes clear to an unexpected degree.
Locked In, the play, serves the above and more. A play balanced by its unfiltered nature and humor. Characters so rich in writing and performance that no matter the demographic, resonance and understanding take root.
Starring Makena Kahuha, Annestellah Karimi, Thuita Mwangi, Bhavnesh Chudasama, and Cosmas Kirui, the Simiyu Barasa text explores five personalities trapped in a hostel in the course of a heavy flood. Their differences unravel, but time takes precedence as masks begin to fall off and unexpected bonds are made.
The Dennis Ndeng’a directorial serves a well-paced turn of events, not leaving any character dynamics unexplored, and the external factors that have shaped them. From Juma’s (Thuita Mwangi) familial loss and upbringing in Kibera to Vikram’s alienation experiences, Locked in does not falter to dig deep.
Performances leave lasting impressions with their impeccable comedic timing and emotionally resonant moments. One standout for me is Juma, who delivers wild impressions of his upbeat father and other characters. A particularly memorable scene that had the audience in stitches was when he portrayed his drunken father taking the family on a fictional trip to Mombasa. It was a masterclass in physical comedy and performance intention.
Powered by Safaricom Baze and Escape Room Kenya, Locked In is certainly one of the year’s best plays, balancing personal introspection, deconstruction, and social commentary.
For Locked In pictorial moments, click here
