The Anointed Cartel by Igiza Arts lived up to its title as Bishop Mwakazi’s greed, alongside his “deacons” and “prophets”, served on the frontline, blinding him to the extent of forsaking his family for the dollar. This raises outrage among enlightened congregants who bust their way in, unearthing iniquities committed by the ‘holy of holies’.
I wish there was more to say, as the first half acted as a reenactment of what we watch close to a daily basis on our screens; the tricks of prosperity gospel. Comedy only went a long way in trying to make it more engaging.
The story starts to build up in the second act only for it to drag. Trying to induce suspense only for the reveal to come in when already disengaged. For instance, Naomi, Mwakazi’s daughter, keeps asking where her brother, Daniel is amidst her and other protesters chanting for justice.
The above is followed by more chants and condemnation galore, repeating accusations over and over, just when one craves for the family dynamics that had the potential to spice up the drama to be explored.
Daniel’s death is revealed, a tad too late to ignite emotion. A speech acts as the mallet of judgment, an underwhelming resolution.
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