Chokwood Production’s Happy Death Day was a delight to watch, an undeniable highlight in the KitFest lineup.
The play follows Gor (Peter Saisi), a nineteen-year-old aspiring footballer who is dealing with a prophecy that has haunted him since birth: he will die on his twentieth birthday in three days.
This comedic venture successfully generates plenty of laughs while also tackling important topics, particularly religious dogma. This theme is masterfully portrayed through Gor’s father, who shows little concern for his son’s life beyond making arrangements for his funeral while Gor is still alive. In his father’s eyes, the seizures caused by Gor’s epilepsy are viewed as God’s work, leaving Gor’s well-being in the hands of his mother (Victoria Murengu)—a stark illustration of parental neglect. As you can see, one theme leads to another, with brilliant pacing that effectively balances comedy and hard-hitting reality.
“Happy Death Day” is a production that heavily relies on strong performances, with every cast member giving their all, including the trio of mother, father, and son, as well as the musicians playing faith-based tunes. Directed by Josh Artkins, the play effectively utilizes Ukumbi Mdogo’s lighting. A memorable dream sequence features Gor meeting renowned football star, Olunga, while in an attempt to halt death itself, showcasing impressive technical elements. 
However, “Happy Death Day” would have benefited from more cohesive stage direction.
