Can you share a bit about your journey as a filmmaker? What inspired you to pursue directing?
My journey into filmmaking has been anything but conventional. I initially pursued finance due to family expectations, but my passion for storytelling led me to secretly apply for the MultiChoice Talent Factory (MTF). When I got accepted with a scholarship, I knew this was my true calling. 
How has your experience as an MTF alumnus shaped your approach to storytelling and filmmaking?
MTF was a game-changer for me. It exposed me to different filmmaking techniques, connected me with industry professionals, and deepened my understanding of the African film landscape. The hands-on training, coupled with collaborations with fellow creatives, refined my storytelling skills. More importantly, it instilled in me the importance of authenticity and the power of telling stories rooted in my culture.
What drew you to the story of BOBO, and why did you choose it as your debut feature film?
I have always been drawn to stories of resilience and ambition, especially within marginalised communities. BOBO resonated deeply with me because it mirrors my own experiences growing up in Eastleigh – facing struggles yet daring to dream. The lead character, Bobo, represents so many young people fighting against the odds to change their narrative. I knew this had to be my first feature film because it carried a message that I felt was urgent and necessary. 
BOBO touches on themes of poverty, resilience, and ambition. Why did you feel it was important to tell this story?
I wanted to highlight the reality of many young people in slums who are constantly told they will never amount to anything. Society often defines them by their circumstances, but I wanted to show that dreams are valid regardless of where you come from. BOBO is about breaking generational cycles, and I hope it inspires people to chase their ambitions despite obstacles. The film is set in the Mathare slums, a vibrant but challenging environment.
How did you approach capturing its essence authentically on screen?
Mathare is more than just a backdrop – it’s a character in the film. I have a lot of peers there, so I knew I had to capture its rawness and spirit accurately. I also involved residents in the production to ensure we stayed true to their reality.
What was the process like casting Faith Muthoni and the rest of the incredible ensemble? What did you see in them that made them right for their roles?
Faith Muthoni embodies Bobo’s spirit – her determination, vulnerability, and fire. When she auditioned, she didn’t just act; she became Bobo. And it was her first time acting! For the rest of the cast, I looked for actors who understood the struggles and aspirations of their characters. Many of them come from similar backgrounds, which added depth and authenticity to their performances.
BOBO originated from an open call by Showmax in partnership with the Joburg Film Festival. What was it like being selected from nearly 300 submissions?
It was surreal. When I submitted BOBO, I knew it was a strong story, but I also knew the competition would be tough. Being selected among so many talented filmmakers validated my vision and reinforced my belief that stories like BOBO need to be told. It was a huge milestone in my career.
How did the support from Showmax and the Joburg Film Festival contribute to the development and production of the film?
Their support was instrumental. Beyond funding, they provided training, industry connections, and a platform to showcase the film. They believed in the story and gave me the creative freedom to execute my vision. The resources and exposure from this opportunity significantly elevated the film’s quality. I have to say a big thank you to the commissioning editor Sharon Adhiambo.
What does it mean to you as a first-time director to have BOBO premiere at the Joburg Film Festival and then debut on Showmax?
It’s a dream come true. Having my debut feature film premiere at an international festival and then stream on Showmax means the world to me. It’s not just about recognition. It’s about the fact that this story will reach a wide audience and, hopefully, spark important conversations about resilience and ambition.
Can you share a standout moment or memorable experience from making the film?
There was a powerful scene where Faith Muthoni, in character as Bobo, delivered about not wanting to end up like her mother. The entire crew went silent, and some even teared up. It was at that moment that I knew we were creating something special.
What message do you hope audiences will take away from BOBO?
I want people to see that where you come from does not define you. Dreams are valid, and success is possible despite adversity. I also hope the film sheds light on mental health struggles and the pressure young people face in disadvantaged communities.
What advice would you give to aspiring filmmakers, especially those hoping to create impactful stories like BOBO?
Let’s tell our authentic story: if we don’t, who else will?
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